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Original Title:	The Colossus of Maroussi
ISBN:	0811201090 (ISBN13: 9780811201094)
Edition Language:	English

The Colossus of Maroussi

Henry Miller

Paperback | Pages: 244 pages

Rating: 3.98 | 3293 Users | 278 Reviews

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The Colossus of Maroussi is an impressionist travelogue by Henry Miller, written in 1939 and first published in 1941 by Colt Press of San Francisco. As an impoverished writer in need of rejuvenation, Miller travelled to Greece at the invitation of his friend, the writer Lawrence Durrell. The text is inspired by the events that occurred. The text is ostensibly a portrait of the Greek writer George Katsimbalis, although some critics have opined that is more of a self-portrait of Miller himself.[1] Miller considered it to be his greatest work.

List Containing Books The Colossus of Maroussi

Title	:	The Colossus of Maroussi
Author	:	Henry Miller
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 244 pages
Published	:	January 17th 1975 by New Directions (first published 1941)
Categories	:	Travel. Nonfiction. Cultural. Greece. Literature. Autobiography. Memoir

Rating Containing Books The Colossus of Maroussi

Ratings: 3.98 From 3293 Users | 278 Reviews

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This beautiful and nearly flawless travel memoir is marred by this unfortunate sentence on page 121: "On the way to the library, I made kaka in my pants." Wha? Here's this fabulous surreal narrative about Greece, and suddenly the narrator doesn't just shit himself, he "makes kaka?" Skip page 121.

Some critics call "The Colossus of Maroussi"--Henry Miller`s account of his trip to Greece on the eve of World War II--the greatest travel book ever. But, like all great travel books, it's much more than mere depiction of beautiful landscapes, missed connections, bad weather, and surly waiters--though Miller recounts those as well. Rather, the book stands as a compelling paean to the Greek spirit, to liberty, and to life--as well as a barbaric yawp prefiguring the coming cataclysm.The Canadian

On the Road in Greece. Okay, thats probably an exaggeration, but the sentiment is, I think, accurate. As does Kerouac in On the Road, Miller displays the same quickening to judgment, the same contempt for the bourgeois, the same obsession for the real. Greece to him is real. Unfortunately, the Greece that he sees is anything but. Miller falls in love with a vision of Greece that is as much made of present Greek poverty and past Greek myth. Part lengthy diatribe against modern civilization, part

...the last parts of the mosaic:"We say erroneously that the Greeks humanized the gods. It is just the contrary. The gods humanized the Greeks. There was a Moment when it seemed as if the real significance of life had been grasped, a breathless Moment when the destiny of the whole human race was in jeopardy. The Moment was lost in the blaze of power which engulfed the intoxicated Greeks. They made mythology of a reality which was too great for their human comprehension. We Forget, in our

On the recommendation of his friend and fellow author Lawrence Durrell, Henry Miller set out for Greece in 1939. After a decade of frenzied writing in which both Tropic of Cancer and Tropic of Capricorn were composed, Millers intention was really nothing more than to relax in preparation for a journey to Tibet in which he planned to, in a popular phrase Miller himself would have despised, find himself. Colossus of Maroussi is pure prosopography, which isnt of course to say that he does not give

Greece has been sneaking up on me lately. First, it was just reading about the debt crisis in the paper and discussing it with my father, whose take is that the Greeks have gotten lazy. Then I agreed to read Herodotuss The Histories with my buddy Kareem. All well and good- still nothing terribly suspicious. But then I started to read Henry Millers account of traveling throughout Greece in 1939, while sitting in a diner near my house. As I read, I heard one of the owners of the diner, a very tall

I read every book Miller mentioned in this memoir. Following his excellent taste was a great starting point for me as a young reader. (I read it in the spring of 1974.)