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The Unabridged Journals of Sylvia Plath Paperback | Pages: 732 pages
Rating: 4.31 | 15159 Users | 623 Reviews

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Original Title: The Unabridged Journals of Sylvia Plath
ISBN: 0385720254 (ISBN13: 9780385720250)
Edition Language: English

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First U.S. Publication

A major literary event--the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.

Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons. The complete Journals of Sylvia Plath is essential reading for all who have been moved and fascinated by Plath's life and work.

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Title:The Unabridged Journals of Sylvia Plath
Author:Sylvia Plath
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 732 pages
Published:October 17th 2000 by Anchor (first published April 1st 2000)
Categories:Nonfiction. Poetry. Biography. Autobiography. Memoir

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Ratings: 4.31 From 15159 Users | 623 Reviews

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This is a book that would probably be best read the way it was written, a page or two at a time over a period of years. Roughly 700 pages at one gulp can be an overdose. Plath is a good writer and a perceptive and intelligent woman, but living inside her head for very long isn't comfortable even for an observer. Knowing the ending in advance, of course, gives the reader an edge on Plath and adds an unintended layer of irony to many entries and an involuntary little shiver to comments like "I



I decided I was going to read this for two reasons: Sylvia Plath intrigued me; and I need to write better journal entries.It is sometimes hard to wrap your head around the fact that she was so young when she wrote those journals, and constantly I had to keep reminding myself. She seemed extremely mature for her age. I found myself only reading 20, 30 pages at a time, because her words were so full of introspection, I had to continually go back and reread passages and reflect, soul-search about

my first ever encounter with Sylvia Plath was with her poem 'Daddy' - // bit my pretty red heart in two.I was ten when they buried you. At twenty I tried to dieAnd get back, back, back to you.I thought even the bones would do.But they pulled me out of the sack, And they stuck me together with glue. //I couldn't understand at that time why I was able to connect with her, but some time later when I was in my own labyrinth I was able to comprehend the attachment I formed with her. In some really

In this new edition of Sylvia Plath's Journals, edited by Karen V. Kukil, the Associate Curator of Special Collections at Smith College, an exact and complete transcription of the journals kept by Sylvia Plath during the last twelve years of her life has been included, and there are no omissions, deletions or corrections of Plaths words in this edition. Her journals, says Kukil, are characterized by the vigorous immediacy with which she records her inner thoughts and feelings and the intricacies

The Problem of Sylvia Plath, Her Poetry, and the Necessity of Her JournalsBecause of her suicide at the age of 30, many critics have labeled her either immature or hysterical--while other critics have taken it upon themselves to defend her integrity. Those who have championed her work find they do so at personal cost. Unfortunately, her personal life, and the circumstances surrounding her death have had an adverse effect on how she is read.Quite instinctively, one knows the implications that may

"So it all moves in a pageant towards the ending, it's own ending. Everywhere, imperceptibly or otherwise, things are passing, ending, going. And there will be other summers, other band concerts, but never this one, never again, never as now. Next year I will not be the self of this year now. And that is why I laugh at the transient, the ephemeral; laugh, while clutching, holding, tenderly, like a fool his toy, cracked glass, water through fingers. For all the writing, for all the invention of

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