Describe Based On Books Galileo
Title | : | Galileo |
Author | : | Bertolt Brecht |
Book Format | : | Paperback |
Book Edition | : | Deluxe Edition |
Pages | : | Pages: 155 pages |
Published | : | January 11th 1994 by Grove Press (first published 1943) |
Categories | : | Plays. Classics. Drama. Fiction. European Literature. German Literature. Theatre. Academic. School |
Bertolt Brecht
Paperback | Pages: 155 pages Rating: 3.73 | 9191 Users | 380 Reviews
Commentary Toward Books Galileo
Considered by many to be one of Brecht's masterpieces, Galileo explores the question of a scientist's social and ethical responsibility, as the brilliant Galileo must choose between his life and his life's work when confronted with the demands of the Inquisition. Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.
Itemize Books Supposing Galileo
Original Title: | Leben des Galilei |
ISBN: | 0802130593 (ISBN13: 9780802130594) |
Edition Language: | English |
Characters: | Galileo Galilei |
Rating Based On Books Galileo
Ratings: 3.73 From 9191 Users | 380 ReviewsPiece Based On Books Galileo
I just re-read Brecht's Galileo after 25 years. It is a masterful play on the issue of science's morality, its relationship with society and authority, and a pleasure to read.Life of Galileo, by Bertolt Brecht, is a lively and fascinating work about science and moral responsibility. Written less like a play and more in the vein of Socratic dialogue, Brecht offers a concise fictionalised account of the rise and fall of Galileo Galilei. What makes this play truly beautiful is that is does not try to affirm science as filled with wonder and potential, but instead employs a critical negativity to make readers re-evaluate scientific research and its potentially
The Life of Galileo by Bertolt Brecht is entertaining, educational, and intelligent.

What a powerful play. I've always heard the adage that plays are meant to be performed, not read. That's fine, but I still can't shake the belief that the most substantive plays must be written by substantive playwrights who must have just as masterful a command over the written word as the visual performance. Bertolt Brecht possesses that command. I've always loved The Crucible and Death of a Salesman, and recently added The Miracle Worker to my list of favorite plays, but even these undisputed
6/5 but since that isn't possible, I'll settle for 5 stars.I LOVED it.Very well written, very intriguing, very thought-provoking and a must read for everyone. This play will hold relevance in every age, every hour and to every man.
4.5: This was an amazing play; so perfectly constructed! Good writing with a strong story and presentation of societal dynamics of 1630s with science, authority, society and emotional quotient of people living in that time and with that knowledge base in play. Of course, it shows science vs church in early 17th century but it also shows the fear and emotions among the general mass, which is not hard to understand, (and for the first time for me) not very irrational. You stand with science but
"Unhappy the land where heroes are needed." History and literature studies have a natural connecting point in the human need for heroic action and (self-)sacrifice. Reading novelists, historians and poets who experienced the first and second world war first-hand, I slowly came to the conclusion that heroism itself is a flaw in human culture which rarely brings any benefits, but often creates suffering on a big scale, as heroes can be made instruments for dogma and set up as "martyrs" for a
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