Details Books In Favor Of The Shadow Lines
| Original Title: | The Shadow Lines |
| ISBN: | 061832996X (ISBN13: 9780618329960) |
| Edition Language: | English |
| Literary Awards: | Sahitya Akademi Award for English (1989) |
Amitav Ghosh
Paperback | Pages: 246 pages Rating: 3.85 | 6512 Users | 433 Reviews
Ilustration In Pursuance Of Books The Shadow Lines
Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families—one English, one Bengali—as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
Particularize Out Of Books The Shadow Lines
| Title | : | The Shadow Lines |
| Author | : | Amitav Ghosh |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 246 pages |
| Published | : | May 3rd 2005 by Mariner Books (first published 1988) |
| Categories | : | Fiction. Cultural. India. Historical. Historical Fiction. Asian Literature. Indian Literature |
Rating Out Of Books The Shadow Lines
Ratings: 3.85 From 6512 Users | 433 ReviewsCritique Out Of Books The Shadow Lines
this book wasn't bad, it was just that to me it read more like a draft than a finished novel. amitav ghosh is clearly a gifted writer and the book read beautifully at times, but his narrative voice and the presentation of themes could have been stronger. the expanse of time and distance within the brief novel would have been manageable if it had been handled a little bit more adeptly, but often the year and location of the action would change rather abruptly leaving you confused for a few pagesWhat should I say, The Shadow lines is a healthy sort of a book, like it has a healthy theme, good English, good sentences, good flow of story, mixing & merging of events, perfectly decent characters happily meeting & parting with each other and their intricate relationships smoothly knit. It gives you a first party narration but with a third party perspective of a neutral observer who lets the events unfold being part of them but not influencing them. The author goes deep enough in the
The 1960s in the east of India and East Pakistan. Another day, another riot. A man is killed and another family lives with the loss. It's an early Ghosh novel and while it's good I found it to be a little disjointed.A story mainly told through various characters telling stories about their experiences. The narrator's grandmother left Dhaka prior to the Partition and started a new life in Calcutta. Later, relatives in the foreign service spend time in England including the Blitz and a English
I could not persuade her that a place does not merely exist, that it has to be invented in one's imagination.In The Shadow Lines, Amitav Ghosh writes about memory, or rather the imperfections of memory. The book is a novel where the narrator recalls stories and events from his childhood and compares them with perspectives of other people to paint a full picture of the narrative. The "shadow lines" are essentially the lines which are present in one person's perspective but non-existent in
This was an amazing book that left me blown away by the beautiful vivid storytelling, the insightful analytical commentary and the thought provoking message of the book. The book collapses time and space, placing events from different times and places next to each other. The narrator goes from his experience as a little boy in India to London both through the stories of his uncle and his own experience there as a student. From this narrative structure emerges a powerful message.For Ghosh, the
Reading this book is rather upsetting: the author continuously jumps back and forward, in time and in space, and after 50 pages you're really confused. The Indian city of Calcutta, in the 1960's and afterwards is the main stage, but also London in 1940 and in the sixties, and in the second part also Dhaka in Bangladesh are places of interest in this novel. The story-telling "I" seems to be an Indian boy, growing up in Calcutta; his family has fled from Eastern Pakistan, after the partition
The non-linear narration was confounding at times... Yet Ghosh's signature style of writing left me numb with that (anticipated) ending
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