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Rabelais and His World

Mikhail Bakhtin

Paperback | Pages: 474 pages

Rating: 4.25 | 1260 Users | 63 Reviews

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Title	:	Rabelais and His World
Author	:	Mikhail Bakhtin
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 474 pages
Published	:	January 1st 2009 by Indiana University Press (first published 1965)
Categories	:	Nonfiction. Philosophy. Theory. Criticism. Literary Criticism. History. Cultural. Russia

Interpretation Concering Books Rabelais and His World

This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895—1975) examines popular humor and folk culture in the Middle Ages and the Renaissance, especially the world of carnival, as depicted in the novels of François Rabelais. In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.

Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

Itemize Books To Rabelais and His World

Original Title:	Творчество Франсуа Рабле и народная культура средневековья и Ренессанса (Tvorchestvo Francua Rable i narodnaia kul'tura srednevekov'ia i Renessansa)
ISBN:	0253203414 (ISBN13: 9780253203410)
Edition Language:	English
Characters:	François Rabelais

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Ratings: 4.25 From 1260 Users | 63 Reviews

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Dostoevsky and Rabelais may strike you as a pears and pepper combination but for literary critic and collective farm bookkeeper Mikhail Bakhtin the two went as naturally together as rice and peas or bread and cheese.In both of them he found the spirit of the medieval carnival, boy bishops and the Lord of Misrule. Here was the world turned upside down and a blast of equal voices in concert. It was all at least ten years too late and in the context of Stalin's Russia Bakhtin was wise enough to

This book is dense and intellectually demanding - you are invited to reconstruct nothing less than an extinct paradigm of the world in your imagination - but it is absolutely worth the effort, both in general and also particularly for an enhanced understanding of that singular comic master Rabelais. For a Westerner, it offers jaw-dropping psychological insight into our pre-modern, pre-Enlightenment European ancestors and their understanding of nature and the world. For the reader willing to

I love to use Bakhtin's ideas in my teaching. I'm particularly partial to his early thought, but this book is great for helping student see the importance of humor.Bakhtin discusses mideval humor and how it was deeply political. In fact, he finds it deeply revolutionary.You can't oppress someone who is laughing at you.What joy!

compares rabelais to the long running folk traditions of humor and carnival. rigid and contained, but ellucidating

A philosophy of laughter, public space, the carnival, the banquet, the grotesque body, and other bodily and material baseness in the middle ages, the Renaissance and in the work of Rabelais. Interesting ideas on the flattening of hierarchical, vertical space, and the shift towards historical time in the body of the grotesque people. Grotesque men as the microcosmos. An anthropological-anatomic history of the universe. A becoming-body, or the body in a process of infinite metamorphosis. The body

Wow! At one time trash talking and irony wasn't just to cut the other guy down to size. It was meant to revitalize, revivify and renew. Feasting, loosing of bowels, a bit of the old in and out, beating someone until they are bloodied, crushed and readied for eating as mince meat and general debaucery at the wine keg are all activities of rebirth and regeneration and all around good fun in the middle ages...and sometimes,if you hang about the applicable crowd, one can find such activities

In our present new Dark Age, I recommend this book highly. Bakhtins hilarious tome contains currents of resistance, subversion, and the return of grotesque humor (i.e. Rabelasian) of carnival fused with mockery of religion & the so-called ruling class. Bakhtins compelling argument is that the yeasty Dark Ages were funnier than Renaissance comedy for not excluding lower body functions, noises, stenches, and broad vulgarity in that eras art, satire, & festival. Heartier, truer laughter