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Oblivion

David Foster Wallace

Paperback | Pages: 329 pages

Rating: 4.07 | 11965 Users | 858 Reviews

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Original Title:	Oblivion
ISBN:	0316010766 (ISBN13: 9780316010764)
Edition Language:	English

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Otto romanzi brevi in cui Wallace gioca felicemente fra le macerie della realtà, aprendo nuove vie, nella scelta sia del tema come della forma più originale e sorprendente. Personaggi descritti nelle loro angosce e allucinazioni, scavati fino a zone inesplorate della psiche e della carne, senza mai la benché minima concessione a psicologismi o verismo di maniera. Dal giovane di successo consapevole di essere un impostore, condannato a smascherarsi o ad annientarsi, al pluriomicida che di fronte alla cecità degli altri si scatenerà in un college. Oltre le singole storie, questo libro mostra che la letteratura può arrivare al cuore marcio della società e spalancarci il corpo martoriato, eppure così normale, della nostra vita quotidiana.

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Title	:	Oblivion
Author	:	David Foster Wallace
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 329 pages
Published	:	August 30th 2005 by Back Bay Books (first published June 8th 2004)
Categories	:	Short Stories. Fiction. Literature. American

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Ratings: 4.07 From 11965 Users | 858 Reviews

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People Prefer Electric Shock to Thinking: Study was the way they put it in the New York Post only a few days ago. Whether these click- and tenure-bait studies are worth the time and energy it takes read about them is an excellent question, but assuming that this particular one is, the world reaction could probably be divided into two categories: non-readers of DF Wallace, and readers of same. The former may have snorted derisively, rolled their eyes, or lamented (silently or aloud) the state of

The views expressed in this review are mine and do not represent those of the educated. I probably misinterpreted every story in Oblivion - but it's too late to get smarter now.Mister Squishy - Read Mister Squishy whilst telling yourself this laborious exercise will be worthwhile, knowing full well youre kidding yourself. Seriously, it was like reading html. I had Myspace flashbacks.The Soul Is Not A Smithy -You know when youre watching a film in the cinema and the last twenty minutes has been

In dialectic fashion, both a step forward from Brief Interviews, since DFW here got rid from most (most) of the linguistic showing-off which marred quite a few of the stories from that otherwise remarkable collection, and a step back, since he then began to show off by playing with millenia-honed readerly expectations regarding tension and resolution in narrative, this being, as far I as could see, this book's main point of existence (figure DFW would maybe write raison d'être, never backing

Oh boy. Oh man, do I have a lot to say about this here book. I can't even begin to tackle it as a whole entity, so I'm going to do a review of each story, unless I get tired and have to smoosh. Also: I am the kind of person who listens to all my music on shuffle, which means I clearly have no respect for the artist's conception of a complete work. Consequently I read these stories totally out of order, and will review them the same way. "The Suffering Channel" and "Mister Squishy"I think these

I was absolutely blown away by DFW's penultimate effort--if you consider The Pale King part of the oeuvre. Most of these short and not-so-short stories revolve around a narrator's distancing soliloquy, his attempt to reach out, and a desperate attempt at empathy. Also crucial to all these stories is the concept of Oblivion, defined by Nietzsche as "an active inhibiting capacity" which enables anticipating and planning ahead. All of these tortured (and tortuous) characters lack Oblivion, and

Caution:- Long review ahead.I finally understand what the word 'tedium' means. Interestingly enough I have neither associated this particular term with books making use of the much revered and equally feared stream-of-consciousness as a narrative device nor with hefty tomes worth more than 1000 pages. But getting through even 1 page of DFW's writing requires a Herculean effort on the reader's part. Wallace commands your undivided attention and let's say if you are demanding the luxury of a split

After I finished reading it a few years ago, this book did not make me sad. Or at least, it made me sad in the way that we like art to make us sad; where we allow ourselves to mistake sadness for poignancy, peaking a flashlight into our dark bits through someone else's work. Now? I don't know how I could re-read this and not feel incredibly saddened. DFW was my favorite living author, just a raging cyclone of genius tearing his way through the short story and laughing (literally?) off the idea